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KIRGIZ MANAS IN XINJIANG CHINA

by KINK GONG 2009

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2 KOMUZ 02:00
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about

KIRGIZ MANAS IN XINJIANG CHINA

Ili ( Yining ) is a Kazakh autonomous region, in Ili prefecture live 18 000 Kirgiz people and162 000 in all of Xinjiang. The Kirgiz live usually further south in Xinjiang closer to Kirgiztan.

XIA AR GHEN AOKHAN plays komuz ( a 3 stringed fretless plucked instrument ) and sings, he is a kirgiz farmer from a family established in that part of China since 1916, they ve always been living in mountains where they had cattles, horses and sheeps and have been moved to a sedentary life in the 80s to a village called Huosituobie near Kuoketielike south of Tekes / Ili / Xinjiang. His songs have been passed over for 80 years from generations to generations, this style of songs is called MANAS gathering ancient epics and new lyrics.

1,2 introduction performed by Xia Ar Ghen ( komuz and singing )
3 2 komuz performed by Xia Ar Ghen and his older brother
4 Nas hati performed by Xia Ar Ghen ( komuz )
5 Sen eur lama performed by Xia Ar Ghen ( komuz )
6 Atamake performed by Xia Ar Ghen ( komuz )
7 Armangoo performed by Xia Ar Ghen ( komuz and singing )
8 Sartanat performed by Xia Ar Ghen s nephew Harmati ( komuz )
9 Jia ilu eur performed by Xia Ar Ghen ( komuz and singing )
10 Sarnassi performed by Xia Ar Ghen ( komuz and singing )
11 Tampulopulo performed by Xia Ar Ghen ( komuz )
12 Jia to lowa performed by Xia Ar Ghen s older brother ( komuz )
13 Jia to lowa performed by Xia Ar Ghen ( komuz )
14 performed by Xia Ar Ghen ( komuz and singing )
15 Reuyi buli performed by Xia Ar Ghen ( komuz and singing )
16 Guli performed by Xia Ar Ghen ( komuz and singing )
17 Sarnam performed by Xia Ar Ghen s nephew Harmati
( komuz and singing )
18 Tatar song performed by Xia Ar Ghen ( komuz )


RECORDED BY LAURENT JEANNEAU AND SHI TANDING
IN HUOSITUOBIE VILLAGE, TEKES, XINJIANG IN JUNE 2009

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released June 12, 2009

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kinkgong Berlin, Germany

Under the name KINK GONG you find 2 activities, the 1st one is to record ethnic minority music mostly in south-east Asia, the 2nd is to transform, collage, recompose the original recordings into experimental soundscapes.

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