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DONG (GAEM) IN GUIZHOU CHINA

by KINK GONG 2007

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about

DONG ( GAEM ) IN GUIZHOU CHINA

The DONG who call themselves KAM or GAEM are 3 millions people spread from western Hunan, Guizhou, Guangxi and northern Vietnam. They belong to the Tai Kadai ethno linguistic family. The DONG are probably the most famous ethnic group in China, praised for their culture, including architecture, clothes,and their polyphonic singing choirs, the chinese medias have boosted tourism in the area, beautiful young girls dressed up in traditionl clothes, perform this kind of songs for large crowds of tourist, but it was still possible to find grand mothers performing, outside of the touristic frame.

TRACKS 1 to 5 performed by a Dong traditional instruments maker in Shuizhai, the 1 st instrument is the Dong PIPA, a plucked lute with 4 strings, the 2nd one is the Dong NIUTUIQIN, a small 2 stringed bowed local violin. the oldman plays Niu tui qin and sings.

6, 7 CHEJIANG LOVE SONG a man plays NIUTUIQIN, another man plays DONG PIPA , both men sing
8 JOIN US SINGING a man plays NIUTUIQIN, another man plays DONG PIPA, + 5 old women polyphonic vocal choir

9 LARGE CEREMONY VOCAL POLYPHONY 2 men and 5 young girls
10 FAMILY SOLIDARITY VOCAL POLYPHONY a man plays NIUTUIQIN, another man plays DONG PIPA, + 5 young girls polyphonic vocal choir

RECORDED BY LAURENT JEANNEAU & SHI TANDING in SHUIZHAI village, GUIZHOU in JUNE 2007

TRACKS 11 to 14 RESPONSIVE SINGING between a man and a woman, the man plays the DONG PIPA lute
11 LOVE SONG DONG PIPA + MAN SINGING
12 LOVE SONG DONG PIPA + WOMAN SINGING
13 LOVE SONG DONG PIPA + MAN & WOMAN SINGING
14 RESPONSIVE SINGING between a man and a woman with a man playing NIUTUIQIN, another man playing DONG PIPA
15 LOVE SONG DONG PIPA + MAN SINGING
16 DONG PIPA + MAN SINGING
17 DONG PIPA + MAN SINGING + NIUTUIQIN

RECORDED BY SHI TANDING in ZHAOXING village GUIZHOU Feb 2015

credits

released July 7, 2007

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all rights reserved

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kinkgong Berlin, Germany

Under the name KINK GONG you find 2 activities, the 1st one is to record ethnic minority music mostly in south-east Asia, the 2nd is to transform, collage, recompose the original recordings into experimental soundscapes.

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